Literature
kowsar ahsanmoghaddam; Abdollah Radmard; maryam salehi nia
Abstract
Metaphor as a symbolic and indirect language carries added and hidden meanings. Traces of gender metaphors and stereotypes can also be traced in interpretive narratives. In this research, the interpretive stories of three Persian interpretations of Rouz al- Jannan , Jala al- Azhan and Manhaj al- Sadeghin ...
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Metaphor as a symbolic and indirect language carries added and hidden meanings. Traces of gender metaphors and stereotypes can also be traced in interpretive narratives. In this research, the interpretive stories of three Persian interpretations of Rouz al- Jannan , Jala al- Azhan and Manhaj al- Sadeghin are the basis of the work. In this article, narratives that have used gender metaphors or whose content is reminiscent of gender metaphors have been selected, and then, using the qualitative content analysis method, the value of these metaphors and their relationship with gender stereotypes have been examined. Metaphors such as "the bride of the Qur'an"; "Kaab's woman"; "bed"; "Biot"; "Atbah" and "Denya" are examples of gender metaphors in these narratives, which some of them have a positive value and some others have a negative value. The most important results of this research are that most of the negative metaphors about women are formed around the role of a woman as a wife or sexual partner and emphasizing her physical aspect. These metaphors are influenced by common gender stereotypes that have a negative value . On the opposite point, most of the positive metaphors are formed around the role of mother and qualities such as kindness, creativity, originality and beginning in the role of mother . Also, this research shows that the female body is represented in two aspects: "heavenly body" and "infernal body" that the female heavenly body is a symbol of complete pleasure and benefit, and the female infernal body is a symbol of deception, sin, representation of Satan and adultery . Despite Sharia's efforts to disapprobation misogynistic attitudes, the prevalence of gender metaphors about women in different historical periods has not been significantly different among commentators and these commentators have shown their gendered attitudes consciously or unconsciously during the narratives.
Literature
Ehsan Ghabool; Abdollah Radmard; Zahra Shariatpanah
Abstract
Literary and historical texts can be considered as the most important tool in recognizing the images of women of different ethnic groups in the past. Imagology is the knowledge to classify and analyze the images of women in these texts on a systematic and scientific basis. The travelogues are among the ...
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Literary and historical texts can be considered as the most important tool in recognizing the images of women of different ethnic groups in the past. Imagology is the knowledge to classify and analyze the images of women in these texts on a systematic and scientific basis. The travelogues are among the literary texts, which represents a fairly realistic image of women. One of the most comprehensive travelogues in the eighth century is Ibn Battutah's travelogue. In this article, we are going to identify and classify a variety of women's images in this travelogue. Accordingly, in primary images of the women from Turkic, Mongolian, Iranian, Chinese and Indian countries, the classification are conducted from three perspectives of appearance and covering, marriage, and attendance in social activities, and then the valuation attitude of Ibn Battutah has been reviewed for each image. The results of this study introduce new images of the women of these nations in Ibn Battutah's travelogue. Thus, the results confirm the hypothesis that Ibn Battutah's religious presuppositions have influenced his evaluation attitude toward women of different ethnic groups, representing itself in Turkic tribes and Mogul, Iran, India and China.
International
Ehsan Ghabool; Abdollah Radmard; Toktam Abedi
Abstract
Imagology is one of the branches of comparative literature that attempts to identify the features and attitudes of other nations through literary works. The identification of women’s image in other countries and nations from the viewpoint of a foreign poet or author is a topic of the knowledge ...
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Imagology is one of the branches of comparative literature that attempts to identify the features and attitudes of other nations through literary works. The identification of women’s image in other countries and nations from the viewpoint of a foreign poet or author is a topic of the knowledge imagology. This plays an important role in understanding the position, interests and attitudes of women in those societies. In this essay, the images of women in Ibn-e Fazlan Travelogues are studied. This travelogue is one of the oldest survived literary works about the lands located in the basin of Volga River and Central Asia. The author of the work also traveled and visited Iran and Turkan region. In Ibn-e Fazlan travelogues, valuable and exclusive information and images of Turkish, Bulgarian, Iranian and Russian women are given. These images and information have been studied and classified in this essay within the four perspectives of marriage, clothes, jewelries and bondwomen based on the methodology of imagology. This is concluded that those images of women were strange and odd to Ibn-e Fazlan based on his beliefs and the environment he lived in. The strange images are specially marked for Russian, Turkish, Bulgarian and Iranian nations, in order.
