Art
Alaa Basal; abolghasem dadvar; fatemeh kateb; maryam mounesi sorkheh
Abstract
Roman Mythology holds an immortal and sacred place and is of great value artistically and historically as it personifies gods in the form of human bodies with supernatural powers. The mythical figures, such as gods and demigods, and epic and symbolic scenes are depicted within Roman murals in Syria. ...
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Roman Mythology holds an immortal and sacred place and is of great value artistically and historically as it personifies gods in the form of human bodies with supernatural powers. The mythical figures, such as gods and demigods, and epic and symbolic scenes are depicted within Roman murals in Syria. Providing an interpretation of morals and traditions, the given murals portray how the society's functional and inner values and religions are pursued. Women's clothing is manifested as a civilizational component in a significant section of Roman Syrian society. The research objective is to identify mythological themes in human patterns and reliefs and grasp their meaning by focusing on the details of women's clothing in five murals and comparing them with those of Syrian women's clothing during the Roman period as analyzed by Malinowski's need and institution components. In the general sense, the concept of functionalism implies a relationship established within an institution. What are the differences and similarities between the clothing in murals and among Syrian women of the Roman period under an emphasis on Malinowski's mythological elements from a functionalistic perspective? The results indicate that in addition to meeting clothing needs, the type of attire and practical colors in the murals and garments of Syrian women during the Roman period also address spiritual solidarity and cultural needs, such as ethicality, social beliefs, and orientation toward religion. There are common grounds between women's clothing in the murals and the garments of Roman Syrian women, and both entail aspects of providing protection, observing social manners, and denoting women's emotional and economic status. In Roman civilization, colors would bear sanctity and represent an individual's eminence. In the case of Syrian women of the Roman period, institutions were to meet women's needs and hold a positive role in society's survival as a whole. In addition to its role in resolving primary needs and taking recourses to meet derivative needs, Roman clothing is also displayed in the form of customs and traditions. The research method is comparative-historical analysis with documentary technique as the data collection method.
Abstract
Communities’worldview has an important role in shaping arts. Exploring the evolution of thePersian art and architecture indicates that, in different periods, despitethe changeof aestheticand expression, there have relatively been some similar meanings in different forms of art. Onthe words, in ...
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Communities’worldview has an important role in shaping arts. Exploring the evolution of thePersian art and architecture indicates that, in different periods, despitethe changeof aestheticand expression, there have relatively been some similar meanings in different forms of art. Onthe words, in different forms of art, expression might be changed but a unique meaning wouldbemarinated.In this research it is assumed that the roots of these semblances are in philosophical theoriesthat have been dominant in the society.Art can be inspired by different theories, symbolism inPersian Mythological and mystical texts, andultimately leads to the creation of a specialaesthetic expression that could create a similar meaning in different kinds of forms.The results of this research indicate that there has been an obvious connection between thePersian art and architecture and philosophy. InSafavids, the combination of variousphilosophical schools led to the creation of one of the most glorious periods of the Persian artand architecture.Thebelief in the sanctity of the symbols of fertilitythat are visible in thehistorical Iranian thoughtsas well as in various forms of art such as Anahita and tree oflifehave been replaced with waterfront and domes in the Safavids architecture. In all theseshapes, a similar meaning would be visible.
