Literature
Sayad Panahi; Hamid Valizadeh; mahin hajizadeh
Abstract
Today, feminist ideas and images are a suitable tool for checking the feminist level of the work, its author and the extent to which it has a feminist structure. In the meantime, the theory of the four dimensions of "Elaine Showalter", the famous American artist of the 20th century, including ...
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Today, feminist ideas and images are a suitable tool for checking the feminist level of the work, its author and the extent to which it has a feminist structure. In the meantime, the theory of the four dimensions of "Elaine Showalter", the famous American artist of the 20th century, including the biological, cultural, psychoanalytical and linguistic approaches, provides this opportunity for women's criticism of the work, and by relying on it, the position of women can be In the literary works of female writers and male writers, recognition. Therefore, the present research has tried to select a novel by by Ahlam Mostaghanami titled an Algerian female writer entitled " Body memory " and a novel by an Iranian female writer Nasim Marashi entitled " prune " for criticism of women's writing and based on the linguistic dimension of Elaine Showalter's four dimensions. to discuss in order to get a clearer picture of the situation of women and their ideas and idealsconclusion. Considering Elaine Showalter's theory, it can be said that both novels are in the stage of feminism. In addition to this tradition, signs of the feminine stage can also be seen in those two; Therefore, due to the fact that the novels in question belong to the feminist and feminine writing tradition, they have significantly the characteristics of female criticism. In terms of the use of linguistic components, for example, the word hey related to colors and its abundant and combined use, as the main component of women, it has occupied the most place in both works. However, regarding the vocabulary related to women, this component has a lower frequency in both works. Detail and short sentences are widely used in both works. This linguistic component has been used explicitly and repeatedly with less interference from culture and the transfigured minds of village characters from the heart of culture.
Behrooz Mahmoodi-Bakhtiari; Maryam Dehghani
Abstract
This research deals with the differences in the writings of male and female authors in the contemporary Persian novels, and employs Lakoff's (1975) linguistic approach to reach this objective. The main aim of this work is to make sure if the factor of gender may lead to differences in methods of writings ...
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This research deals with the differences in the writings of male and female authors in the contemporary Persian novels, and employs Lakoff's (1975) linguistic approach to reach this objective. The main aim of this work is to make sure if the factor of gender may lead to differences in methods of writings between men and women in terms of vocabulary choices and syntactic variations. In this research, three novels Cheragh ha ra man khamush mikonam (I Turn off the Lights), Koliye Kenare Atash (Gypsy by the Fire), and Baziye Akhare Banu (The Final Game of the Lady) by three female authors, and the novels Kafe Piyano (Cafe Piano), Sanfoniye Mordegan (Symphony of the Dead), and Sorayya dar Eghma (Sorayya in Coma) from the male authors have been analyzed with respect to their vocabulary, and then the statistical analyses of these novels are presented. The results show differences in the writings of men and women in Persian novels.
