Art
Alaa Basal; abolghasem dadvar; fatemeh kateb; maryam mounesi sorkheh
Abstract
Roman Mythology holds an immortal and sacred place and is of great value artistically and historically as it personifies gods in the form of human bodies with supernatural powers. The mythical figures, such as gods and demigods, and epic and symbolic scenes are depicted within Roman murals in Syria. ...
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Roman Mythology holds an immortal and sacred place and is of great value artistically and historically as it personifies gods in the form of human bodies with supernatural powers. The mythical figures, such as gods and demigods, and epic and symbolic scenes are depicted within Roman murals in Syria. Providing an interpretation of morals and traditions, the given murals portray how the society's functional and inner values and religions are pursued. Women's clothing is manifested as a civilizational component in a significant section of Roman Syrian society. The research objective is to identify mythological themes in human patterns and reliefs and grasp their meaning by focusing on the details of women's clothing in five murals and comparing them with those of Syrian women's clothing during the Roman period as analyzed by Malinowski's need and institution components. In the general sense, the concept of functionalism implies a relationship established within an institution. What are the differences and similarities between the clothing in murals and among Syrian women of the Roman period under an emphasis on Malinowski's mythological elements from a functionalistic perspective? The results indicate that in addition to meeting clothing needs, the type of attire and practical colors in the murals and garments of Syrian women during the Roman period also address spiritual solidarity and cultural needs, such as ethicality, social beliefs, and orientation toward religion. There are common grounds between women's clothing in the murals and the garments of Roman Syrian women, and both entail aspects of providing protection, observing social manners, and denoting women's emotional and economic status. In Roman civilization, colors would bear sanctity and represent an individual's eminence. In the case of Syrian women of the Roman period, institutions were to meet women's needs and hold a positive role in society's survival as a whole. In addition to its role in resolving primary needs and taking recourses to meet derivative needs, Roman clothing is also displayed in the form of customs and traditions. The research method is comparative-historical analysis with documentary technique as the data collection method.
Archeology
motahareh zakeri; maryam mohammadi; nafiseh esnaashari
Abstract
A comparative analysis of Women’s Clothing designs in Minab and kalpouregan pottery in Baluchestan based on intertextual approachAbstractThe political and geographical proximity of Sistan and Baluchestan and Hormozgan provinces is effective in creating their cultural commonalities. Is the study ...
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A comparative analysis of Women’s Clothing designs in Minab and kalpouregan pottery in Baluchestan based on intertextual approachAbstractThe political and geographical proximity of Sistan and Baluchestan and Hormozgan provinces is effective in creating their cultural commonalities. Is the study of prefixes as well as the commonalities and differences between the designs used in the two mentioned art industries. The questions of this article are what is the background of the designs of Minab women's clothing and Kalpurgan pottery and what are the similarities and differences between them? This research is qualitative, descriptive-analytical and has theoretical foundations based on the intertextuality approach. Its information is based on library studies and field observations. The results indicate that the use of common contexts such as nature, ethnic beliefs and women's tastes in creating commonalities between Kalpurgan pottery motifs and Minab women's clothing motifs, these commonalities in the use of visual techniques such as repetition, symmetry and balance. It is evident in the design structure of the designs, which includes three types of plants, animals and geometric, especially the widespread use of geometric patterns that are mainly manifested in the form of circles and rhombuses in pottery and can be seen in the shape of triangles in women's clothing designs. The existence of these commonalities along with a few differences leads to the emergence of commonalities in the culture and arts of other regions and, of course, is effective in strengthening their cultural values. Key Words: Sistan and Baluchestan, Minab, kalpouregan pottery, Women's Clothing.Key Words: Sistan and Baluchestan, Minab, kalpouregan pottery, Women's ClothingKey Words: Sistan and Baluchestan, Minab, kalpouregan pottery, Women's ClothingKey Words: Sistan and Baluchestan, Minab, kalpouregan pottery, Women's ClothingKey Words: Sistan and Baluchestan, Minab, kalpouregan pottery, Women's ClothingKey Words: Sistan and Baluchestan, Minab, kalpouregan pottery, Women's Clothing
Communications
ali Baghdar Delgosha
Abstract
Critique of social structures in women's fiction 1909-1931AbstractSimultaneously with the publication of the women's press in 1909, conditions were created for women to be able to use new language of expression such as poetry and fiction to express their views in addition to further critique of social ...
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Critique of social structures in women's fiction 1909-1931AbstractSimultaneously with the publication of the women's press in 1909, conditions were created for women to be able to use new language of expression such as poetry and fiction to express their views in addition to further critique of social structures. Leading research that is a qualitative method, using content analysis technique and with index emphasis on fiction texts published in the biographical press published between 1289 (the year of publication of the first women's newspaper) to 1311 (the last year of publication of the women's world newspaper) Is trying to answer the question of what issues have women addressed in their fictional writings? What was their most important demand and what did they introduce as the main cause of women's subjugation?A complete and non-selective enumeration of biographies in the period under discussion, including 167 issues of biographies, equals 4,401 (four thousand four hundred and one) press releases. The central theme of these fictional texts is women's rights in marriage - life and divorce, critique of forced marriage, early marriage (child marriage) and critique of polygamy. Also, the behavior of "ignorant mothers" has been introduced as the main cause of women's misery.
