Afsaneh Tavassoli; Zohreh Babaei
Abstract
AbstractThe cinema of the Oscar-winning director, Asghar Farhadi, pays special attention to women by focusing on the increasing number of women along with their presentation in key roles. The present article analyzes "Dance in the Dust", "Beautiful City", "Fireworks Wednesday", "About Eli", "A ...
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AbstractThe cinema of the Oscar-winning director, Asghar Farhadi, pays special attention to women by focusing on the increasing number of women along with their presentation in key roles. The present article analyzes "Dance in the Dust", "Beautiful City", "Fireworks Wednesday", "About Eli", "A Separation", "The Past", "Salesman", and "Everyone Knows", in which the woman is the focal point. Thus, it tries to examine the films with the method of qualitative content analysis to work on the attention Farhadi has paid to woman’s importance by representing her. Examination of codes, categories, and concepts shows that although the number and importance of female characters and the assignment of key roles to them has increased over time, at the same time women with passive actions, gender job maps, absence from the public arena, and spouse-dependence is portrayed as critical, desperate, powerless, and incompetent. It seems that in order to give importance to women, it is not enough to focus on the subject of women. One should also pay attention to the hidden layer of narratives that can be obtained from their mentality and stereotypes..
Hassan Piri; Morteza Vahedian; Mehran Sohrabzadeh
Abstract
In the present study, the pathology of the media has been analyzed in three sets of local TV series of the Ilam Center. In order to pursue the above goal, the present study, based on the theory of representation and based on the semiotic reading of the converted text to the text, has tried to mean the ...
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In the present study, the pathology of the media has been analyzed in three sets of local TV series of the Ilam Center. In order to pursue the above goal, the present study, based on the theory of representation and based on the semiotic reading of the converted text to the text, has tried to mean the semantic implications and cultural images that the series “Qal O Qawaleh”,”Bra O Bash” and “Harka ra khoi”. The analysis of the findings reveals several types of social-family-related concepts in the Illam Broadcasting organization: Making a dual image of the family, challenging differences, reproducing stereotypes based on respect for the tradition. Based on the results of this research in the traditional family, adherence to local customs and resistance to modernity has been portrayed as a value; In this family, the woman is usually "adoptive woman" and is the main decision maker of the man, and where the woman decides on an important subject, the result is abnormal. What's displayed in these series can be seen in the community. In other words, the direction of the provincial center of the center of Ilam in the studied series, focusing on the admission of masculinity and traditional femininity, and its emphasis on other masculinity and femininity, has been the form of representation during the years of the series of plays (2009-2013) Has dominated.
Communications
Meysam Farokhi; Marjan Sadeghi
Abstract
In addition to the hardships suffered by women, veterans of the sacred defense can declare the history of the resistance, sacrifice, and the freedom of warriors on the battlefields, due to the direct and indirect experience of the holy defense era. This research seeks to examine the representation. The ...
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In addition to the hardships suffered by women, veterans of the sacred defense can declare the history of the resistance, sacrifice, and the freedom of warriors on the battlefields, due to the direct and indirect experience of the holy defense era. This research seeks to examine the representation. The war is from the perspective of the martyr devotees' spouses in the sacred defense fiction literature. Meanwhile, the six-part series of "Now Shokran" published by Fatah narration, which deals with the story of life, hardships and sacrifices of the martyr devotees by their wives, selected as a targeted sample. They have been analyzed by method of content analysis with deductive approach. Therefore, the review of this collection can determine the way of representing war and sacred defense to a feminine narrative versus other men's stories of war. The results have represented the categories of identity, social relations, values and social norms, war and post-war period. In this collection, the story has been arranged and the war has had a significant impact on the lives of veterans' wives, but they still have lifestyles with many problems in their normal lives and patiently accompany their wife during the war and after that. In the series, the story of war was a realm of empathy. People, in sympathy with their neighbors, prevented wedding for their children, women were consistent with their husbands with no plaining. The dominant identity for warriors and their husbands and families was the identity based on morale-based revolution thinking and sacrifice.
