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Abstract

Supposing the reciprocity of relations between society and media, it is logical to investigate the social changes of women’s identity through inspecting the changes in women’s identity representation in media (particularly cinema). This paper aims to analyze the mutual effects of predominant social affairs of after-Islamic revolution of Iran on the manner of women’s representation in Iran’s cinema. In fact, it intends to clarify whether the mainstream cinema at this juncture in history has an considerable effect on the manner the women’s identity represented in cinema.This research shows that the social changes accompanied by more progressive cultural representation of women’s social identity in Iran cinema.

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