Journal of Woman in Culture and Arts

Journal of Woman in Culture and Arts

Number of Volumes 18
Number of Issues 67
Number of Articles 529
Number of Contributors 959
Article View 1023875
PDF Download 877,681
View Per Article 1935.49
PDF Download Per Article 1659.13
             --
Number of Submissions 2,110
Acceptance Rate 19
Time to Accept (Days) 204
Number of Indexing Databases 2
Number of Reviewers 1349

Woman in culture and art

Journal of Woman in Culture and Art is an open access quarterly publication, published by Faculty of Family Sciences. University of Tehran since 2009 and has received a scientific degree from the Commission of Scientific Journals of the country - Ministry of Science, Research and Technology. This journal follows the principles and criteria of the Committee on Publication Ethics (COPE) in reviewing and publishing scientific articles. This journal uses double-blind peer review and all submitted manuscripts are checked for similarity software (Hamanandjoo) to ensure their authenticity to be assured about its originality and then rigorously peer-reviewed by expert reviewers. Woman in Culture and Art is the first academic publication on women's issues that deals with cultural and artistic topics with different scientific trends, with a gender analysis approach.

 

Journal Features
  • Frequency: Quarterly
  • Review Process: Double blind peer review
  • Publisher: Faculty of Family Sciences. University of Tehran
  • Open Access:  Yes 
  • Initial Review Time: 3-7 Days 
  • Final Review Time: Less than 6 months approximately
  • Article Processing Charges: Yes
  • Issuing Acceptance Letter: Yes
  • Using Similarity Finding Software: Yes (Hamanandjoo)

Before sending your article to this journal, please make sure that this journal accepts articles through this website.


       

Current Issue: Volume 18, Issue 3, Summer 2026, Pages 339-509 

Keywords Cloud

  • Women
  • woman
  • Representation
  • family
  • gender
  • Gender
  • Marriage
  • Archetype
  • iranian cinema
  • Semiotics
  • feminism
  • Cinema
  • Discourse analysis
  • Qajar
  • Femininity
  • patriarchy
  • Instagram
  • Palestine
  • Identity
  • Culture
  • Clothing
  • Modernity
  • discourse
  • phenomenology
  • girls
  • critical discourse analysis
  • myth
  • Painting
  • hijab
  • Iran
  • Polygamy
  • goddess
  • Jung
  • gender stereotypes
  • Islamic Revolution
  • Animus
  • Play
  • iconography
  • Anima
  • Mythology
  • story
  • television
  • Religion
  • \"
  • body management
  • Novel
  • Shahnameh
  • Lifestyle
  • divorce
  • Resistance
  • Safavid
  • Norman Fairclough
  • Meta-analysis
  • dramatic literature
  • Socialization
  • Social capital
  • law
  • female character
  • Mother Archetype
  • Photography
  • Qualitative Content Analysis
  • Gender Justice
  • Psychological Analysis
  • Iconology
  • Grounded theory
  • literature
  • Gender Identity
  • subjectivity
  • feminist criticism
  • Consumption
  • Jean Shinoda Bolen
  • women\'
  • Anahita
  • social networks
  • symbol
  • power
  • Zoroastrianism
  • masculinity
  • Media
  • Love
  • Comparative literature
  • beauty
  • Sasanian period
  • Contemporary Arab Art
  • Miniature
  • Life Satisfaction
  • Iranian parliament
  • other
  • Asghar Farhadi
  • Safavid Era
  • Elaine Showalter
  • Fariba Vafi
  • Iranian family
  • national epic
  • archaeological evidence
  • reflection theory
  • cyberspace
  • slavery
  • Qajar era
  • psychology
  • women\'s clothing
  • Ethnography
  • War
  • Language
  • Julia Kristeva
  • Perceptions of gender justice
  • self-esteem
  • Contemporary Poetry
  • Religiosity
  • gender representation
  • social class
  • intimacy
  • Female
  • Iranian society
  • s Clothing
  • Pictorial Carpet
  • Film
  • postmodern feminism
  • Reza Shah
  • Script
  • Tehran
  • Chastity
  • Narrative Analysis
  • Fath Ali Shah
  • Cultural Identity
  • Timurid Period
  • Women\'s Studies
  • Tile
  • Qajar Period
  • women\'s rights
  • exogamy
  • Matriarchy
  • subject
  • Evolutionary Course
  • Ideology
  • Social changes
  • Semiology
  • role of women
  • Islam
  • Shirin
  • Creativity
  • Advertising
  • Pahlavi Architecture
  • Extended family
  • Beauty and the Beast
  • taste
  • treatment
  • social activities
  • Fantasy
  • imagology
  • Safavid period
  • harem
  • Laclau and Mouffe
  • Marital Infidelity
  • hegemony.
  • contemporary architecture
  • Power and Resistance
  • Quran
  • Women.
  • Women image
  • Qajar women
  • Ethnicity
  • Folk Literature
  • Algeria
  • Art of War
  • Tradition
  • Social semiotics
  • Keywords female language
  • Temporary Marriage
  • Ilam
  • Shahmar
  • Medium
  • internet addiction
  • Sexism
  • Cultural Capital
  • female identity
  • Lamerd
  • Personality
  • Mādayān ī Hazār Dādestān
  • sociology
  • Goli Taraghi
  • conceptual metaphor
  • feminine writing
  • music consumption
  • Persuasion
  • feminist film theory
  • women\'s cinema
  • traditional clothing
  • Feminist literary criticism
  • women artists
  • body
  • Ebrahim HatamiKia
  • proverb
  • Attachment styles
  • urban middle class
  • Clothing Style
  • Characterization
  • Lailat Al-Jonoun
  • education\"
  • Human Relation

Related Journals