نوع مقاله : مقاله پژوهشی

نویسندگان

1 دکتری تاریخ اسلام، واحد تهران مرکزی، دانشگاه آزاد اسلامی، تهران، ایران.

2 دانشیار گروه مطالعات انقلاب اسلامی، دانشکدۀ فرهنگی و علوم اجتماعی، دانشگاه جامع امام حسین، تهران، ایران.

3 استاد گروه تاریخ، واحد تهران مرکزی، دانشگاه آزاد اسلامی، تهران، ایران.

10.22059/jwica.2023.367515.1983

چکیده

شناخت و بررسی مصادیق تاریخی دربارۀ جایگاه و عملکرد زنان شاعر در دول صدر اسلام و مقایسۀ آن‌ها، از نظر پژوهشی تازگی دارد و بنابراین در اینجا مسئلۀ اصلی مقالۀ حاضر است. هدف پژوهش مشخص‌کردن اهتمام رسول خدا (ص) به جایگاه زنان شاعر و قائل‌شدن به نقش‌آفرینی آنان در عرصه‌های سیاسی و اجتماعی توسط آن حضرت و مقایسۀ تطبیقی عملکرد دولت‌های موسوم به خلفای راشدین با سیرۀ رسول اکرم (ص) در این مورد است. در این راستا سؤال پژوهش به این صورت طرح شده که دولت‌های خلفای سه‌گانه و حضرت علی (ع) تا چه اندازه به جایگاه زنان شاعر، مطابق عملکرد دولت نبوی (ص) اهتمام ورزیدند. روش تحقیق، توصیفی-تحلیلی و شیوۀ گردآوری داده‌ها کتابخانه‌ای و اسنادی است. یافته‌ها بیانگر آن است که بیشترین روایت‌ها از جایگاه و عملکرد زنان شاعر حکومت اسلامی در صدر اسلام مربوط به دوران حکمرانی نبوی و علوی بوده است که این برگرفته از دو مکتب فکری و دو سبک مدیریتی مختلف در این خصوص است. اولی تلاش می‌کند جایگاه زنان شاعر مسلمان را براساس معیارهای دینی تنظیم کند و درنتیجه ارتقا بخشد و دومی براساس نظریه‌های شخصی و سلایق فردی برگرفته از فضای محلی قبل از اسلام و منافع در پیش، درمورد این جایگاه آن‌طور که خود می‌پسندد عمل می‌کند.

کلیدواژه‌ها

موضوعات

عنوان مقاله [English]

Examining the position and performance of women poets in the Prophetic and Alawi government and comparing it with the government of the three caliphs

نویسندگان [English]

  • mohammadjavad najafi 1
  • Mohammed Hussain ragby Davani 2
  • mohammad sepehri 3

1 PhD, History Department, Faculty of Humanities, Islamic Azad University, Central Tehran Branch, Tehran. Iran

2 Associate Professor, Department of Islamic Revolution Studies, Faculty of Culture and Social Sciences, Imam Hossein University, Tehran, Iran.

3 Full Professor, Department of History, Central Tehran Branch, Islamic Azad University, Tehran, Iran

چکیده [English]

Saqanefars are structures from the Qajar period that are derived from the indigenous and ritual architecture of Mazandaran. In contrast to comparable structures, Saqanfar Kijatekiyeh in Babol is characterized by a plethora of pictorial themes that are specifically focused on women. This research aims to explore the themes and significance of women's roles in these murals. The research questions are as follows: -What is the reason for the increased prevalence of women's motifs in Saqanfar Kijatekiyeh Babol in comparison to other Saqanefars? -What are the reasons for the prominence of women in these murals? - Which themes are illustrated in the murals of Saqanfar Kijatekiyeh, Babol? The research employs a descriptive-analytical method, which involves the non-random selection of specific images from epic, otherworldly, symbolic, and quotidian activity motifs and their description using an iconological approach. Significant developments and changes in women's status were reflected in the Qajar era, which saw a zenith in the redefining of women's roles in society, family, and art. The northern regions of Iran underwent a change in gender concepts as a result of their geographical and livelihood conditions. The development of women's roles is significantly influenced by historical, social, political, and cultural factors. The Tekiyeh building's simultaneity with the Qajar period, the fundamental changes in social relations, clothing styles, political positions, and aesthetic concepts of women, as well as the abundance of women's images, suggest a direct connection between these motifs and the political and social developments of the era. This is indicative of the impact of indigenous artists on the representation of political and social conditions within a particular historical context.

کلیدواژه‌ها [English]

  • The Position of Women Poets
  • The Performance of Women Poets
  • The Prophetic Government
  • The Government of the Three Caliphs
  • The Alawi Government
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