عنوان مقاله [English]
Bahram Beizaie pays special attention to Iran’s honorable old ages. He chooses one feature of the golden age “matriarchy” period depicting it in some of his plays. The purpose of this research is to discuss the dependence of heroines and Iranian goddess, and to analyze this dependence in some of Beyzaeis’ works. Plays and screenplays that are considered in this study include: “Saljuk istgah”, “Parde nei”, “Parde khane”, Shabe 1001(1)”, Shabe 1001(3)” and “Fath name kalat”. The research is descriptive - analytical, so that at first, Beyzaeis models in merging heroines and goddess would be specified and then his works would be analyzed on this basis. Conclusions show that Beyzaei uses the goddesses of “kindness”, “birth”, “love”, “courage” and the most important one the goddess of “wisdom” to create his heroines. Based on analysis of these works, the presence of wise goddess such as goddess “Chista” most in Beizaeis works even more than “Anahita”.