زنان و مصرف موسیقی رپ ناسزاگو (پژوهشی کیفی دربارۀ دلالت های معنایی دختران شهر تهران)

یمینی, فاطمه; خادمیان, طلیعه; دهقان, حسین

doi:10.22059/jwica.2023.361010.1929

نوع مقاله : مقاله پژوهشی

نویسندگان

¹ دانشجوی دکتری جامعه شناسی فرهنگی، واحد تهران شمال، دانشگاه آزاد اسلامی، تهران، ایران

² دانشیار گروه جامعه شناسی، واحد تهران شمال، دانشگاه آزاد اسلامی، تهران ، ایران

³ استادیار گروه جامعه شناسی، واحد تهران شمال، دانشگاه آزاد اسلامی، تهران ، ایران

https://doi.org/10.22059/jwica.2023.361010.1929

چکیده

ناسزاگویی به‌عنوان بارزترین ویژگی موسیقی عامه‌پسند رپ، شاخص‌های زبانی اجتماعی را در ادبیات افراد جامعه تغییر می‌دهد. هدف این پژوهش کشف و بررسی دلالت‌های ذهنی و معنایی دختران هوادار تتلو از گوش‌دادن به آهنگ‌های ناسزاگوی اوست که با روش کیفی و تکنیک نظریۀ زمینه‌ای و استفاده از مصاحبه‌های عمیق نیمه‌ساخت‌یافته با 25 نفر از طرفداران تتلو (تتلیتی‌ها) انجام گرفته است. نمونه‌ها براساس نمونه‌گیری گلوله‌برفی انتخاب شدند. مصاحبه‌ها با رسیدن به اشباع نظری متوقف شد. مدل پارادایمی حاصل از تفسیر نظرات دختران هوادار نشان می‌دهد مقبولیت آهنگ‌های ناسزاگو در ارتباط با مجموعه‌ای از شرایط علی (بستر اجتماعی-فرهنگی، موقعیت‌های خاص، همذات‌پنداری، جذابیت تجربۀ زیستۀ هنرمند، مجوزنگرفتن و طردشدن از جامعه، پیشینۀ خانوادگی خواننده)، شرایط زمینه‌ای (فقر، بیکاری، انزوا، نداشتن سرگرمی) و شرایط مداخله‌گر (سلطۀ صنعت موسیقی، گروه همسالان) معنا می‌یابد. دختران با بهره‌گیری از راهبرد‌های عادی‌بودن ناسزا در سبک رپ و دلنشین‌بودن ناسزا، ناسزاگویی در موسیقی خیابانی را توجیه می‌کنند که از پیامدهای آن تخلیۀ انرژی، ایجاد گفتمان ناسزاگویی در ادبیات جامعه، عادی‌شدن ناسزاگویی به اطرافیان، تشدید ناسزاگویی در آهنگ‌های جدید و گرایش به نیهیلیسم است. هواداران، خود و خواننده را طردشده از جامعه و قربانی ظلم و تبعیض احساس می‌کنند و به‌دلیل اینکه در برابر تبعیض‌ها فاقد قدرت عمل هستند، به افراد درمانده و ضعیفی می‌مانند که صرفاً با ناسزاگویی قادر به ابراز خشمشان هستند.

کلیدواژه‌ها

موضوعات

جامعه شناسی

عنوان مقاله [English]

Women and Profanity Rap Music Consumption (A Qualitative Research about the Semantic Implications of Tehran Girls)

نویسندگان [English]

Fatemeh Yamini ¹
Talie Khademian ²
Hossein Dehqan ³

¹ PhD Candidate of cultural sociologyꓹ Department of Sociologyꓹ North Tehran Branchꓹ Islamic Azad Universityꓹ Tehranꓹ Iran

² Associate Professor Department of Sociologyꓹ North Tehran Branchꓹ Islamic Azad Universityꓹ Tehranꓹ Iran

³ Assistant Professor Department of Sociologyꓹ North Tehran Branchꓹ Islamic Azad Universityꓹ Tehranꓹ Iran

چکیده [English]

Profanity, as the most obvious feature of popular rap music, changes the socio-linguistic indicators in the literature of people in society. The purpose of this research is to discover and investigate the mental and semantic implications of Tataloo fan girls from listening to his profanity songs, which was carried out with the qualitative method and grounded theory technique and the use of in-depth semi-structured interviews with 25 Tataloo fans. The samples were selected based on the purposeful snowball sampling. Interviews were stopped when theoretical saturation was reached. The paradigm model resulting from the interpretation of the opinions of female fans shows that acceptability of profanity songs) in connection with a set of causal conditions (social and cultural background - special situations - homophobia - attractiveness of the artist's lived experience - not getting permission and rejection from society - family background of the singer), background conditions (poverty-unemployment-isolation-lack of entertainment), intervening conditions (dominance of music industry-peer group) become meaningful. Girls justify profanity in street music by using strategies (the normality of profanity in rap style - the pleasantness of profanity) which is one of its consequences (draining energy - creating a discourse of profanity - normalization of profanity to people around - tendency towards nihilism).The fans consider themselves and the singer to be rejected from the society and victims of oppression and discrimination, and because they lack the power to act against discrimination, they are like helpless and weak people who are only able to express their anger by profanity.

کلیدواژه‌ها [English]

Fan Girls
Music Industry
Nihilism
Profanity
Tataloo

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زن در فرهنگ و هنر

زنان و مصرف موسیقی رپ ناسزاگو (پژوهشی کیفی دربارۀ دلالت های معنایی دختران شهر تهران)

مراجع

مراجع

دوره 16، شماره 2
مرداد 1403
صفحه 173-159

زنان و مصرف موسیقی رپ ناسزاگو (پژوهشی کیفی دربارۀ دلالت های معنایی دختران شهر تهران)

مراجع

مراجع

دوره 16، شماره 2مرداد 1403صفحه 173-159

دوره 16، شماره 2
مرداد 1403
صفحه 173-159